Revision, as classically understood, generally relates to the poet’s understanding while composing a poem, via kneading language, via discovering insight. More and more though I find that sort of revision is only part of the problem, if it is a problem.Here's the link to the whole posting: http://therumpus.net/2013/03/david-biespiels-poetry-wire-revising-poetry-just-got-easier/
Yes, a poet revises, and tinkers, and starts over. But: Lately I’ve been thinking about revision in terms of the audience more than the poet, in terms of readers and the public-other far more than, speaking for myself, the relationship between me and what I am writing.
I don’t mean to reject revision in terms of revising to clarify and make clearer — as necessary as that intention is. I mean, rethinking of revision as something you want the reader to have, to experience, to live with. I mean, leading a reader to re-see the world, to experience a re-vision of their living life. For the reader to have the re-vision more so than the writer.
Before Twitter, before email, an old teacher friend of mine used to stuff photocopied articles he liked into mailboxes of other teachers he thought would appreciate the stuff. This daily act of sharing he called his paper route.
Saturday, March 16, 2013
On Revising: David Biespiel has a radical idea
Here's a teaser:
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